Alternate Name(s)
Shakespeare's Globe on Screen 2 (2016-2018)
9 landmark productions that include two from Emma Rice's tenure as Artistic Director and the first production from the indoor Jacobean theatre, the Sam Wanamaker Playhouse. These films showcase the Globe's two unique playing spaces on Bankside and how different artists respond to them. Each performance transports viewers directly into the standing yard of the world famous Globe or the magical candlelit interior of the captivating Sam Wanamaker Playhouse.
Free access until 31st December 2025: APA’s streaming video platform provides clinicians, counselors, instructors, and trainees the opportunity to sharpen their skills by observing candid, unscripted
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Coverage of quality, authoritative information in organic, inorganic and organometallic chemistry.
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Free access until 31st December 2025: Soviet Woman (1945-1991) represents a unique historical publication that merged Soviet political messaging with contemporary women's magazine formats. First published in December 1945, this illustrated English-language periodical began with six annual issues and expanded to monthly publication from 1954 onwards.
The journal offers researchers an invaluable window into Soviet gender politics, cultural diplomacy, and international women's movements during the Cold War era. As a publication specifically designed for Western audiences, Soviet Woman featured original content that balanced political ideology with lifestyle content - from industrial achievements of Soviet women to fashion, childcare, cinema, and theater reviews. The journal also published poetry and stories from both Soviet and international authors. Of particular significance for academic research is the journal's role in promoting a distinct "Soviet" alternative to Western feminism within the international women's movement. The publication featured contributions from left-leaning Western writers and public figures, making it an essential source for studying transnational political and cultural exchanges. The journal's dual nature as both a propaganda tool and a lifestyle magazine provides researchers with rich material for analyzing Soviet soft power strategies, representations of gender roles, and cultural diplomacy efforts. Its pages document changing Soviet perspectives on women's roles in industry, politics, and society, while simultaneously revealing how the USSR sought to present these developments to Western audiences.
For scholars studying Soviet history, gender studies, Cold War cultural relations, or international women's movements, Soviet Woman serves as a crucial primary source that illuminates the complex intersection of ideology, gender politics, and cultural exchange in the twentieth century.
